If We Were a Pair

“If We Were a Pair” is an original instrumental that was compositionally influenced by A. C. Jobim. The performance was influenced by Hank Marvin.

In the Shadow of Olympus

“In the Shadow of Olympus” is an original instrumental intended to sound like something the Shadows miht have recorded in the early 1960s.

Twelve Rockin’ Miles

“Twelve Rockin’ Miles” is an original 12-bar rocker intended to sound like something the Ventures might have recorded in the early to mid 1960s.

If You Were to Stay Here

“If You Were to Stay Here” is an original instrumental ballad intended to sound like something Hank marvin or the Shadows might have recorded in the 1980s or 90s.

Whom We Have Lost

“Whom We Have Lost” is an original instrumental in a somewhat ambient style.

Maroroba

“Maroroba” is an original instrumental ballad intended to sound like something the Shadows might have recorded in the mid-1960s…perhaps written by Jerry Lordan and accompanied by strings as arranged by their producer Norrie Paramor.

The Fource

“The Fource” is an original instrumental intended to sound like something the Ventures might have recorded in the mid 1960s.

One Day We’ll See

“One Day We’ll See” is an original instrumental “power ballad” intended to sound like something the Shadows or Hank Marvin might have recorded in the 1980s.

It’s Not Over

“It’s Not Over” is an original instrumental inspired by the songs of A. C. Jobim.

When I Wander in the Light

“When I Wander in the Light” is an original instrumental ballad intended to sound like so,ething the Shadows might have revorded in the late 70s or early 80s.

Event Horizon

“Event Horizon” is an original instrumental intended to sound similar to one of my favorite guitar-rock sub-genres, “Space-Rock”. This style is exemplified by the Ventures 1964 album “Ventures in Space”, and often features unusual chord changes, strange melodies and spacy sound effects.

Once in Every Lifetime

“Once in Every Lifetime” is an original instrumental intended to sound like something the Shadows might have recorded in the 1980s or 90s.

Not Done Yet

“Not Done Yet” is an original instrumental in a jazz/bossa style. You might hear the influence of A. C. Jobim in the composition and Hank Marvin in the guitar approach.

A Winter to Wonder

“A Winter to Wonder” is an original instrumental that incorporates many of my influences.

It’s Beginning to Look a Lot Like Christmas

This is my instrumental arrangement of “It’s Beginning to Look a Lot Like Christmas”. Composed in 1951 by Meredith Willson (composer of the musical “The Music Man”), it was a big hit that same year for Perry Como.