Whomp Bompa Chompa
“Whomp Bompa Chompa” is an original instrumental intended to sound like something the Ventures might have reorded in the early 1960s.
Can You Believe Your Heart
“Can You Believe Your Heart” is an original rock instrumental intended to sound like something the Shadows might have done in the 80s or 90s.
The Look of Love
This is my instrumental arrangement of “The Look of Love”, composed by Burt Bacharach with lyrics by Hal David. It was originally composed as an instrumental and was first recorded by Saxophonist Stan Getz in 1966. Lyrics were added later and the well-known version by Dusty Springfield was released in 1967 as part of the Casino Royale sound track.
Eu Sempre Gostei Disso
“Eu Sempre Gostei Disso” is an original instrumental in a bossa-nova/snooth jazz style, inspired by the work of Antonio Carlos Jobim.
A Faded Adage
“A Faded Adage” is an original instrumental ballad intended to have similarities to some of the material the Shadows recorded – especially their more elaborately produced tracks with strings.
Babe
A faded adage
A defaced facade
A decade aged
A Quiet Day at Home with You
“A Quiet Day at Home with You” is an original guitar instrument intended to sound like a doo-wop influenced “slow dance” the Ventures or Shadows might have recorded in the early 1960s.
If I Could See Tomorrow
“If I Could See Tomorrow” is an original instrumental ballad intended to have similarities to some of the material the Shadows recorded – especially their more elaborately produced tracks with strings.
I Wanna Be Your Man
This is my instrumental cover of “I Wanna Be Your Man”. It was written by John Lennon and Paul McCartney, and first released as a single by the Rolling Stones in 1963. The Beatles released it on their 1964 USA debut album, “Meet the Beatles”, with lead vocal by Ringo Starr.
I’m Just Tired
“I’m Just Tired” is an original instrumental ballad intended to sound like something the Shadows might have done in the 80s or 90s.
Walkin’ in the Street
“Walkin’ in the Street” is an original instrumental intended to sound like something the Ventures might have recorded in the early to mid 1960s.
Dance-a-Roo
“Dance-a-Roo” is an original instrumental intended to sound like something the Shadows might have recorded in the early 1960s.
Decaf Café
“Decaf Café” is an original instrumental intended to be similar to the style of more elaborate recordings the Shadows did in the early to mid 1960s. These typically had orchestral backing arranged by their producer, Norrie Paramor.
Cheap Phil’s Blues
“Cheap Phil’s Blues” is an original instrumental intended to evoke the feel of an early 1960s Ventures 12-bar based track used to “fill out” an album or serve as a “B-side”. Both the Ventures and Shadows discographies are full of tracks like this. In many, many cases, I actually prefer these tracks to the “featured” ones.
The Realm of Namor
“The Realm of Namor” is an original instrumental intended to sound llike something the Shadows might have recored in the early 1960s – and especially something composed by Jerry Lordan and arranged by Norrie Paramor.
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