Lyric Peace

“Lyric Peace” is an original instrumental composition intended to be similar in style to the Shadows. The composition itself was inspired by a few recent arrangements I did of  classical piano music, including two of Edvard Grieg’s “Lyric Pieces”.

Lute Prelude

This is my arrangement of J.S. Bach’s Prelude in C minor, BWV 999 – commonly known as the “Lute Prelude”. It was sometime between 1717 and 1723. Though originally composed for Lute-Harpsichord it has since been adapted for various instruments, including lute, piano and guitar. It is a staple of the classical guitar repertoire.

Since my musical  education is a traditional, classical one, and since my guitar training was entirely in classical guitar, this arrangement came together fairly smoothly.

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Song of India

This is my instrumental cover of “Song of India”, which was adapted from an aria in Rimsky-Korsakoff’s opera “Sadko”. In 1937, Tommy Dorsey recorded an instrumental jazz arrangement which became a jazz standard. The song has occasionally gotten some attention from guitarists and guitar-oriented groups.

Melodie

This is my arrangement of “Melodie”. It is one of Norwegian composer Edvard Grieg’s (1843 – 1907) “Lyric Pieces for Piano” (Op 47 No 3) and was first published in 1888.

My setting was inspired in part by the Shadows’ “A Sigh“, which was based on Franz Liszt’s “Un Sospiro”. Classical piano music can translate very well to a guitar instrumental format. I have previously arranged Edward MacDowell’s “To a Wild Rose”

The Moldau

This is my guitar instrumental arrangement of The Moldau, a symphonic poem by Bohemian composer Bedřich Smetana that evokes the flow of the Vltava River—or, in German, the Moldau—from its source in the mountains of the Bohemian Forest, through the Czech countryside, to the city of Prague. A devoutly patriotic work, The Moldau captures in music Smetana’s love of his homeland. Completed in 1874 and first performed the following year, the piece is the second movement of a six-movement suite, Má vlast (My Country), which premiered in its entirety in Prague on November 5, 1882.

I was inspired to create this after hearing a 1964 guitar-rock recording of this by P.J. and the Galaxies, a surf rock band from the Los Angeles area.

Estrellita

“Estrellita” (Little Star) was composed in 1912 by Mexican composer Manual Ponce. It is by far his best known work, and has been performed and recorded by orchestras, instrumentalists and singers ever since it was written.

Despite its appeal, I could find no versions by any instrumental guitar groups like the Ventures or the Shadows.

I decided to rectify the situation.

Surf Fugue

“Surf Fugue” is an original composition that combines a surf rock feel with a traditional fugue with its form and construction based on J.S. Bach.

It opens with a solo presentation of the fugue subject in the tonic key of A minor. This is followed by the subject in the dominant key of E minor, accompanied by a counter-subject. The exposition concludes with a return to the tonic, again with the counter subject. The subject is then stated in the relative major, C, without the counter-subject and harmonized in 6ths.

A brief development section follows: a sequence built from the first half of the fugue subject.

The piece concludes with a recap of the first three statements in A minor, E minor and A minor.

Normalization

“Normalization” is an original composition in a “Classic Rock” style. This particular track is a homage to the “art-rock” style — pioneered by bands like Deep Purple, Emerson Lake and Palmer, and Yes — that incorporated elements of classical music.

Kay Vee Five-Fifty

“Kay Vee Five-Fifty” is a surf-rock, Ventures-style arrangement of Mozart’s Symphony #40 in G minor, K.V. 550.

Nut Rocker

“Nut Rocker” was an instrumental rock single recorded by  B. Bumble and the Stingers that reached number 23 in the U.S. Billboard Hot 100 in March 1962.  It is based on of Tchaikovsky’s “March of the Toy Soldiers”, from his ballet The Nutcracker.

The first version released was by pianist H. B. Barnum, released by “Jack B. Nimble and the Quicks” on the small Del Rio label.

It was also performed live and recorded by prog-rockers Emerson, Lake & Palmer, whose single was also released in 1972. In 2009, Trans-Siberian Orchestra released a version of “Nut Rocker”, featuring Greg Lake, on their album Night Castle.

Both the Ventures and the Shadows also recorded versions.

My arrangement is based on the original 1962 versions.

 

Knight Rupert

“Knight Rupert” is from Robert Schumann’s “Album for the Young”. “Knight Rupert” is a form of “Knecht Ruprecht” — who is a companion of Saint Nicholas as described in the folklore of Germany.

He acts as a foil to the benevolent Christmas gift-bringer, threatening to thrash or abduct disobedient children. Ruprecht wears a black or brown robe with a pointed hood. He carries a long staff and a bag of ashes.

I thought Schumann’s spooky composition would lend itself to a 60’s guitar-rock instrumental setting.

The Wild Horseman

Is it so far-fetched that the Shadows might have done an arrangement of “The Wild Horseman” (Wilder Reiter), from Robert Schumann’s Album for the Young (Album für die Jugend), Op. 68, which was composed in 1848 for his three daughters? Or that Hank Marvin would have played it on a baritone guitar? Well, maybe.

Just about anyone who took piano lessons for a few years has played this.