Surf Fugue

“Surf Fugue” is an original composition that combines a surf rock feel with a traditional fugue with its form and construction based on J.S. Bach.

It opens with a solo presentation of the fugue subject in the tonic key of A minor. This is followed by the subject in the dominant key of E minor, accompanied by a counter-subject. The exposition concludes with a return to the tonic, again with the counter subject. The subject is then stated in the relative major, C, without the counter-subject and harmonized in 6ths.

A brief development section follows: a sequence built from the first half of the fugue subject.

The piece concludes with a recap of the first three statements in A minor, E minor and A minor.

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Normalization

“Normalization” is an original composition in a “Classic Rock” style. This particular track is a homage to the “art-rock” style — pioneered by bands like Deep Purple, Emerson Lake and Palmer, and Yes — that incorporated elements of classical music.

Kay Vee Five-Fifty

“Kay Vee Five-Fifty” is a surf-rock, Ventures-style arrangement of Mozart’s Symphony #40 in G minor, K.V. 550.

Nut Rocker

“Nut Rocker” was an instrumental rock single recorded by  B. Bumble and the Stingers that reached number 23 in the U.S. Billboard Hot 100 in March 1962.  It is based on of Tchaikovsky’s “March of the Toy Soldiers”, from his ballet The Nutcracker.

The first version released was by pianist H. B. Barnum, released by “Jack B. Nimble and the Quicks” on the small Del Rio label.

It was also performed live and recorded by prog-rockers Emerson, Lake & Palmer, whose single was also released in 1972. In 2009, Trans-Siberian Orchestra released a version of “Nut Rocker”, featuring Greg Lake, on their album Night Castle.

Both the Ventures and the Shadows also recorded versions.

My arrangement is based on the original 1962 versions.

 

Knight Rupert

“Knight Rupert” is from Robert Schumann’s “Album for the Young”. “Knight Rupert” is a form of “Knecht Ruprecht” — who is a companion of Saint Nicholas as described in the folklore of Germany.

He acts as a foil to the benevolent Christmas gift-bringer, threatening to thrash or abduct disobedient children. Ruprecht wears a black or brown robe with a pointed hood. He carries a long staff and a bag of ashes.

I thought Schumann’s spooky composition would lend itself to a 60’s guitar-rock instrumental setting.

The Wild Horseman

Is it so far-fetched that the Shadows might have done an arrangement of “The Wild Horseman” (Wilder Reiter), from Robert Schumann’s Album for the Young (Album für die Jugend), Op. 68, which was composed in 1848 for his three daughters? Or that Hank Marvin would have played it on a baritone guitar? Well, maybe.

Just about anyone who took piano lessons for a few years has played this.