Manhã de Carnaval

This is my sixties-style instrumental arrangement of “Manhã de Carnaval” (“Carnival Morning”) by Brazilian composer Luiz Bonfá and lyricist Antônio Maria.

“Manhã de Carnaval” appeared as a principal theme in the 1959 Portuguese-language film, “Black Orpheus”. It was one of the first Bossa Nova compositions to gain popularity outside Brazil. Particularly in the United States, the song has become a jazz standard and is considered to be one of the most important Brazilian Jazz/Bossa songs that helped establish the Bossa Nova movement in the late 1950s.

We Few

“We Few” is an original jazz/fusion composition that I wrote back in 2011, during my “Palindrome” period. The guitar part shows has some country influence. I think this is one of my better original tunes.

Mainstream

“Mainstream” is an original “smooth jazz” tune. I recently came across the original lead sheet I made for this, and got a bit of a shock. I wrote this FORTY F***ING YEARS AGO!!!. The genre classification “smooth jazz” hadn’t even emerged yet in 1979, even though George Benson pretty much set the table for it with his “Breezin” LP. It was derisively called “Fuzak” back then.

The Lady in my Life

This is my cover of “The Lady in my Life”, written by Rod Temperton, which was first released as a track on Michael Jackson’s album “Thriller” in 1982. It was one of only two tracks on the album to NOT be released as a single. However, countless other artists have covered it.

Night Train

“Night Train” is a twelve-bar blues instrumental first recorded by Jimmy Forrest in 1951. It has been recorded and performed countless times, by musicians in virtually every genre.

The Ventures recorded at least two versions, the first released on their 1960 album “Walk Don’t Run” and the second on the 1964 album, “Walk Don’t Run ’64”.

My arrangement is not a cover of any one specific rendition, but incorporates elements of many.

Caravan

“Caravan” was composed by Juan Tizol and Duke Ellington and first performed by Ellington in 1936.  Irving Mills wrote lyrics, but they are rarely sung.

It quickly became a jazz standard, frequently performed and recorded.

In 1960 the Ventures included the tune on their album “Walk Don’t Run”. It shortly became a staple of their live performances, featuring extended drum solos by Mel Taylor and later Leon Taylor.

My arrangement was inspired by the Ventures approach, although the drum break is fairly short.

 

The Work Song

“The Work Song” was composed by jazz trumpter Nat Adderley (brother of Julian “Cannonball” Adderley). It first appeared as the title cut on his 1960 album. The tune was given lyrics and covered the following year by Oscar Brown Jr. on his album “Sin And Soul…and then some” and has become a standard in both vocal and instrumental forms.

Versions exist by many artists. It was recorded by Herb Alpert and the Tijuana Brass and the Ventures.

My version is instrumental guitar rock, but is not based on anyone else’s arrangements.