Fly Away

“Fly Away” was originally a track on the Ventures 1968 album, “Flights of Fantasy”. This album featured mainly covers of currently popular material like “Scarborough Fair”, “Summertime Blues”, and “The Mighty Quinn”. “Fly Away” was one of the “filler” tracks. Songwriting credit is shared by the four band members, Don Wilson, Nokie Edwards, Bob Bogle and Mel Taylor.

By 1968, the music scene had progressed well beyond the Ventures’ basic rock’n’roll origins, and the Ventures had adapted their sound and approach to stay current. This tune was something of a throwback to their roots.

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Cue Ball

“Cue Ball” is another original instrumental composition in which I try to combine the feel of 60’s instrumental guitar rock with a somewhat more complex musical and harmonic language than was typical for that genre. With this one I tried to get a feel similar to the early 60’s style of surf rock and the Ventures.

Signet

“Signet” is another original instrumental composition in which I try to combine the feel of 60’s instrumental guitar rock with a somewhat more complex musical and harmonic language than was typical for that genre. With this one I tried to get a feel similar to the early 60’s style of surf rock and the Ventures.

The Hoary Hodads Ride Again

“The Hoary Hodads Ride Again” is another original instrumental composition in which I try to combine the feel of 60’s instrumental guitar rock with a somewhat more complex musical and harmonic language than was typical for that genre. With this one I tried to get a feel similar to the early 60’s style of surf rock and the Ventures.

Surf Fugue

“Surf Fugue” is an original composition that combines a surf rock feel with a traditional fugue with its form and construction based on J.S. Bach.

It opens with a solo presentation of the fugue subject in the tonic key of A minor. This is followed by the subject in the dominant key of E minor, accompanied by a counter-subject. The exposition concludes with a return to the tonic, again with the counter subject. The subject is then stated in the relative major, C, without the counter-subject and harmonized in 6ths.

A brief development section follows: a sequence built from the first half of the fugue subject.

The piece concludes with a recap of the first three statements in A minor, E minor and A minor.

The Hoary Hodads Theme

“The Hoary Hodads Theme” is another original instrumental composition in which I try to combine the feel of 60’s instrumental guitar rock with a somewhat more complex musical and harmonic language than was typical for that genre. With this one I tried to get a feel similar to the early 60’s style of surf rock and the Ventures.

Kick Out

“Kick Out” is another original instrumental composition in which I try to combine the feel of 60’s instrumental guitar rock with a somewhat more complex musical and harmonic language than was typical for that genre. With this one I tried to get a feel similar to the early 60’s style of surf rock and the Ventures.